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	<title>ts-e lens - Top Colorado Mountain Wedding Photographers - Gillespie Photography</title>
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	<description>Trent &#38; Stacy Gillespie - Top Colorado Mountain Wedding Photographers</description>
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		<title>Three tips for better tilt-shift photos</title>
		<link>https://www.gillphotos.com/for-photographers/three-tips-for-better-tiltshift-photos/</link>
					<comments>https://www.gillphotos.com/for-photographers/three-tips-for-better-tiltshift-photos/#respond</comments>
		
		<dc:creator><![CDATA[Trent Gillespie]]></dc:creator>
		<pubDate>Tue, 12 Feb 2013 18:44:46 +0000</pubDate>
				<category><![CDATA[For Photographers]]></category>
		<category><![CDATA[Practiced]]></category>
		<category><![CDATA[Canon 45mm 2.8]]></category>
		<category><![CDATA[tilt photography]]></category>
		<category><![CDATA[tips for tilt-shift photography]]></category>
		<category><![CDATA[ts-e lens]]></category>
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					<description><![CDATA[<p>When people see a titled photo (like below), they immediately think tilt/shift, but really, the effect is a result of just tilting. Most TS-E lenses have both functionality, which is why people throw the shift part into the title, but shifting a photo isn&#8217;t technically complex. The following tips are geared towards achieving a tilt [&#8230;]</p>
<p>The post <a href="https://www.gillphotos.com/for-photographers/three-tips-for-better-tiltshift-photos/">Three tips for better tilt-shift photos</a> appeared first on <a href="https://www.gillphotos.com">Top Colorado Mountain Wedding Photographers - Gillespie Photography</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>When people see a titled photo (like below), they immediately think tilt/shift, but really, the effect is a result of just tilting. Most TS-E lenses have both functionality, which is why people throw the shift part into the title, but shifting a photo isn&#8217;t technically complex. The following tips are geared towards achieving a tilt effect.</p>
<p>Using a Lens or Photoshop for Tilt Photos</p>
<p>A tilted image makes things look miniature because it introduces a depth-of-field on a scene we would regularly not see it on. With the foreground and background being blurred, it seem like the subject or landscape is only a few feet away. You can achieve this using Photoshop or a lens with tilt functionality. Using a lens makes the process quicker and more genuine. Creating the tilt effect in post-processing is possible, but it takes time to perfect. The tips below will help miniaturize your scenes when using the a tilt-shift lens or software. However, our usage for the tilt-shift lens isn&#8217;t to miniaturize things, but instead to create interesting tilted wedding photos.</p>
<h3>1. Shoot Mid-day in Direct Sunlight</h3>
<p>When viewing miniature objects, they commonly have harsh shadows because the light source is close and there isn&#8217;t much room for falloff. Shooting at 11:00 or 2:00, the sun provides enough power and a decent angle to give even your biggest objects that sharp shadow we need. The photo below is a good example of this.</p>
<a href="https://cdn.gillphotos.com/wp-content/uploads/2013/02/title_photo_example_3.jpg"><img fetchpriority="high" decoding="async" class="alignnone size-medium wp-image-4775" title="Tilt Shift Colorado University Campus" src="https://cdn.gillphotos.com/wp-content/uploads/2013/02/title_photo_example_3-550x366.jpg" alt="Tilt Shift Colorado University Campus" width="550" height="366" /></a>
<h3>2. Eliminate Foreground Objects &amp; Shoot Down</h3>
<p>Again, when viewing miniature objects, your distance to subject is relatively small, ruling out the possibility for foreground objects. If there was a lamp in your way, you would probably move it. Also, when things are small, you most always look down onto them. Try to get above your scene.</p>
<a href="https://cdn.gillphotos.com/wp-content/uploads/2013/02/title_photo_example_2.jpg"><img decoding="async" class="alignnone size-medium wp-image-4776" title="Tilt Shift Photography Example 2" src="https://cdn.gillphotos.com/wp-content/uploads/2013/02/title_photo_example_2-550x366.jpg" alt="Tilt Shift Photography Example 2" width="550" height="366" /></a>
<h3>3. Crop Scenes So They Make Sense</h3>
<p>The photo below isn&#8217;t a very convincing miniature scene. At the bottom of the frame, the road is full size, suggesting the photographer was standing directly on it. If this really was a miniature scene, this vantage point would be impossible.</p>
<a href="https://cdn.gillphotos.com/wp-content/uploads/2013/02/title_photo_example_1.jpg"><img decoding="async" class="alignnone size-medium wp-image-4779" title="Tilt Shift Photography Example 3" src="https://cdn.gillphotos.com/wp-content/uploads/2013/02/title_photo_example_1-550x366.jpg" alt="" width="550" height="366" /></a>
<p>By cropping the image, we get closer to believing the photo was taken from the correct angle.</p>
<a href="https://cdn.gillphotos.com/wp-content/uploads/2013/02/title_photo_example_4.jpg"><img decoding="async" class="alignnone size-medium wp-image-4780" title="Tilt Shift Photography Example 4" src="https://cdn.gillphotos.com/wp-content/uploads/2013/02/title_photo_example_4-550x366.jpg" alt="Tilt Shift Photography Example 4" width="550" height="366" /></a>
<p>The post <a href="https://www.gillphotos.com/for-photographers/three-tips-for-better-tiltshift-photos/">Three tips for better tilt-shift photos</a> appeared first on <a href="https://www.gillphotos.com">Top Colorado Mountain Wedding Photographers - Gillespie Photography</a>.</p>
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